Installation at the 2021 Swiss Art Awards, Basel, CH





Relic of an Evaporated Sea V, 2021
Selenite, flickering LED, magnetite sand, gypsum cement, pigments
53 x 125 x 25 mm  





Relic of an Evaporated Sea II, 2021
Selenite, flickering LED, magnetite sand, gypsum cement, graphite
78 x 115 x 20 mm





Offrande Météoritique II, 2021
Libyan desert glass, flickering LED, magnetite sand, gypsum cement, graphite, pigments
110 x 148 x 18 mm







Relic of an Evaporated Sea VIII (Sampled), 2021
Selenite, LED, brass, epoxy clay, sandstone
300 x 48 x 10 mm





Elizabeth Philpot VIII (Gespensterkerze), 2020
Belemnite fossil (extinct squid-like species), flickering LED, epoxy clay, magnetite sand, concrete
42 x 108 x 32 mm  





Elizabeth Philpot V, 2020
Belemnite fossil (extinct squid-like species), flickering LED, epoxy clay, magnetite sand, concrete
52 x 115 x 38 mm  





Installation view of Lemaniana at the Centre d’Art Contemporain, Genève





Elizabeth Philpot VI, 2020
Belemnite fossil, flickering LED, epoxy clay, magnetite sand, gypsum cement
86 x 117 x 20 mm  





Installation view of Lemaniana at the Centre d’Art Contemporain, Genève





Elizabeth Philpot IV, 2020
Belemnite fossil (extinct squid-like species), flickering LED, epoxy clay, amethyst, magnetite sand, concrete
44 x 120 x 38 mm  









Biogenesis (Indirect Art), 2020
Colored pencil and graphite on
thermo-sensitive polystyrene on purpurite
37 x 50 x 17 mm











Installation views of Performing this glitCh gives you extra lives_Level 2, 2018, at Et al., San Francisco, CA, with Alice Peragine.
Feat. on Tzvetnik











Installation views of Morphic Memory, 2017
at LambdaLambdaLambda, Pristina, Kosovo
Feat. on artviewer and Mousse





Network<>Impermanence, 2017
Proterozoic (550 million to 2.5 billion year old) seascape: graphite on thermo-sensitive polystyrene (yogurt container) on fossilized coral
27 x 82 x 53 mm





Vampyroteuthis Infernalis, 2017
Graphite on thermo-sensitive polystyrene on fossilized squid
13 x 16 x 56 mm





Elizabeth Philpot I, 2019
Belemnite fossile (extinct squid-like species), LED, concrete
70 x 40 x 42 mm  





Installation view of
Back Then by Tomorrow, 2019
Werkhalle, Cologne, DE
Feat. on KubaParis





Of the Tethyan Realm, 2019
Colored pencil on thermo-sensitive polystyrene, nontronite, epoxy clay
42 x 24 x 30 mm
+



Her Ancient and Enduring Energies Rising, 2017
300 million year old fern pinnule: graphite on thermo-sensitive polystyrene and smart chip on chrysocolla: formed in the oxidation zones of copper ore bodies
38 x 44 x 48 mm





Exhumed, 2019
Fossil plants, re-used plexiglas, LEDs, copper, epoxy clay
2 panels: 49 x 67 cm each

Installation veiws, Musée cantonal de géologie, Lausanne, Switzerland

Chamber of Displacement, 2019
Audio guide written and recorded for exhibtion Futures Incertains at Musée cantonal de géologie, Lausanne







Interferotics, 2019
Video loop, projector, solar cell, copper, hag stone, audio mixer, speakers
Dimensions variable



Interferotics (Rhône Version), 2019-20
Video loop, projector, solar cell, audio mixer, speakers
Dimensions variable
Installation view at PACE Gallery, Geneva, CH



Interferotics, 2016
405 nM laser, front-surface mirrors, solar cell, audio cable, audio mixer, speakers
Dimensions variable 







O U R O B O R O S, 2017
Collaborative performance with
Alice Peragine
2025 Hamburg, Germany







Clam Hole Hag Stone Portal, 2019
Projectors, computer, custom software, solar panels, amplifier, speakers, hag stones and various minerals. Performance at No Moon, Brooklyn, NY

Further documentation: Ofluxo, Tzvetnik







Prototype Terminal, 2017
A provisional installation at Achterhaus Residency, Hamburg, Germany

https://vimeo.com/247027255"



Plasticity Query, 2014
Performance with video
3 minutes

http://vimeo.com/87559470





Caffiers, France ca. 400 Million BCE, 2015
Graphite on thermo-sensitive polystyrene
23 x 16 mm


Selection from the series
Small Goals
, 2015
Acrylic, graphite and colored pencil on thermo-sensitive polystyrene
17 x 23 mm



The collision of our brane with a parallel one, 2015
Colored pencil and graphite on thermo-sensitive polystyrene
23 x 16 mm



Deep Blue Dream, 2016
screen capture



Genetic metalepsis and the four codes of mineral difference, 2016
Discussion between Nan Hill, Brian Longe, Hunter Longe and a song with Dashiell Longe.
More documentation



Genetic Metalepsis, 2016
Memory metal (nitinol) and projection
20 x 16 x 10 cm





Imperative to Condense, 2015
Stones, laser-cut acrylic sheeting, mounting hardware
137 x 120 x 13 cm



Branes, 2016
scalable vectors









 
Time Management, 2017
Dynamic Excel spreadsheet, projector, LCD screen, computer
Dimensions veriable





Time Management, 2017
300 million year old (Carboniferous) forest: graphite on thermo-sensitive polystyrene (yogurt container) on rhyolite with garnet: formed at high temperature and pressure.
22 x 54 x 35 mm



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